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Food taboos usually seem to be intended to protect the human individual from harm, spiritually or physically, but there are numerous other reasons given within cultures for their existence. On a comparative basis, what may be declared unfit for one group may be perfectly acceptable to another within the same culture or across different cultures. Some foods may be prohibited during certain religious periods ( e.g., Lent), at certain stages of life ( e.g., pregnancy), or to certain classes of people ( e.g., priests), even if the food is otherwise permitted. In some cases, they are thought to be a result of health considerations or other practical reasons in others, they relate to human symbolic systems. The origins of these prohibitions are varied. Some food prohibitions can be defined as rules, codified by religion or otherwise, about which foods, or combinations of foods, may not be eaten and how animals are to be slaughtered or prepared. Some prohibitions are specific to a particular part or excretion of an animal, while others forgo the consumption of plants or fungi. Many food taboos and other prohibitions forbid the meat of a particular animal, including mammals, rodents, reptiles, amphibians, fish, molluscs, crustaceans and insects, which may relate to a disgust response being more often associated with meats than plant-based foods.
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Many of these prohibitions constitute taboos. Some people do not eat various specific foods and beverages in conformity with various religious, cultural, legal or other societal prohibitions. For more discussion on religious views, see Unclean animal. At once delicate and urgent, it is a contemporary allegory about community and capitalism, art and protest, the physical and emotional devastation of global warming, and the elemental struggle to change one’s life.This article is about practices and beliefs in relation to various food and potential foods. Talking Animals is Animal Farm by way of Annie Hall by way of The Sixth Extinction. This world without humans teems with creatures stuck in frustrating jobs and surrounded by crumbling infrastructure and worsening environmental catastrophes. Their journey soon leads them to the Sea Front, a clandestine group that could as easily be a hive of dangerous radicals as an inspirational liberation movement. Partly to meet girls, and partly out of a sense that the world might be ending around them, these lowly city employees embark on an unlikely mission to take down the corrupt system selling the city out from beneath its real inhabitants. They both work at City Hall and are trying to navigate the great furry city collapsing around them. Maybe a big wall should be built to keep them out. Sea creatures are viewed with fear and disgust. There are dogs on Wall Street and cats on Broadway. Badgers tend bar, raccoons write for The Post, and a racehorse is mayor. Parrots own cafes and lemurs run the espresso machines. A fable for modern times, Joni Murphy’s Talking Animals features a human-less world run by an animal kingdom facing the same natural disasters, encroaching apocalypses, and existential crises that keep everyone from a good night’s sleep.